Musik Objektiv – Musik Subjektiv

Viewed objectively, music is subjective, or is it subjectively objective after all? When we humans experience art and music together, we share! Together we experience the same thing, and sometimes add up the subjective perceptions of others in the hall to confirm our perception. Together with composer and artist Anna Sowa, the Ensemble Lemniscate explores this theme of the subjective intrinsic perception of music and takes the audience on a journey into our consciousness. On the way, they meet other composers who complement the theme and constantly expand the boundaries of what music can be.

With

Ensemble Lemniscate: Tatiana Timonina (flute), Richard Haynes (clarinets), María Muñoz López (violin), Ellen Fallowfield (cello), Felix Nagl (piano), Mikołay Rytowski (percussion), Andreas Eduardo Frank (electronics), Daniel Moreira (conductor)

Program

Ricardo Eizirik (1985): «in Steps» (2018-2019); Nicolas Buzzi (1987): «hoertest» (2023) Intervention; Michael Maierhof (1956): «shopping 4» (2005-2006); Fernando Manassero (1984): «The Ames Window» (2023) Intervention; Anna Sowa (1987): «Nach dem Foto feiern wir weiter!» (2023) UA; Rama Gottfried (1977): «object processional» (2023) Intervention; Gary Berger: «21 mal Lösen» (2008/2014); Svetlana Maraš (1985): «Candy for Andy» (2023) Intervention; Katharina Rosenberger (1971): «Blur» (2019/2023)

Duration

70 minutes, no break

Prices

CHF 35.-/25.-/15.- (free choice at the box office or in advance)
Free admission applies to persons with residence permit N, F or S. / CHF 5.- students of the Hochschule für Musik FHNW and the Musicology Seminar of the University of Basel / CHF 10.- members Colourkey and children under 12 years.