
© Elza Loginova
What did the Zurich Dada soirées really sound like? «DADA-Remix» examines the contradictions of a movement whose radical texts were often louder than its surprisingly tame music. Rediscovered piano works by Hans Heusser are juxtaposed with new compositions by Ilona Perger, Jalalu-Kalvert Nelson and Friedemann Treiber.
The concert explores what remains of Dada today: damaged language, suppressed voices, colonial appropriation, forgotten music and the possibility of making history sound different. Without reverence, but with curiosity, a form of music emerges that the Dadaists might have wished for but would never quite have dared to create themselves.
Anne May Krüger (mezzo-soprano); Phoebe Bognár (flutes); Andrea Nagy (clarinets); Akiko Okabe (piano); Nicholas Reed (percussion); Friedemann Treiber (violin); Mirka Scepanović (viola); Ellen Fallowfield (cello)
Hans Heusser (1892–1942): Piano pieces (c. 1916–1919) for piano
Ilona Perger (*1992): «dein Mund voll Lilienseife» (2026)
Friedemann Treiber (*1971): «Hommage au quintette pour piano de Hans Heusser» (2026)
Jalalu-Kalvert Nelson (*1951): New work (2026)
Irene Galindo Quero (*1985): New work (2026)
100 minutes, with break
CHF 35.-/25.-/15.- (free choice at the box office or in advance)
Free admission applies to persons with residence permit N, F or S. / CHF 5.- students of the Hochschule für Musik FHNW and the Musicology Seminar of the University of Basel / CHF 10.- members Colourkey, KulturLegi and children under 12 years.



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