In «Fremde Szenen», the Mondrian Ensemble traces the fascination that the work of Robert Schumann exerts on many composers of our time. In his compositions and with the help of his literary works, Schumann strove for a poetic music with a promising future. Many contemporaries considered his works too difficult, but the view of his work has changed since the late 20th century. «Fremde Szenen» combines works by Robert Schumann with related compositions by Wolfgang Rihm, Heinz Holliger and Jannik Giger.
Ivana Pristašová Zaugg (violin), Petra Ackermann (viola), Karolina Öhman (violoncello), Benjamin Engeli (piano/guest)
Robert Schumann (1810-1856): Piano Quintett, 2nd movement, Arrangement for Piano Quartet bz Benjamin Engeli (2023)
Jannik Giger (*1985): «Tanz» (2023-24, World premiere of the arrangement for piano quartet)
Wolfgang Rihm (*1952): «Fremde Szene III» (1983/84) for piano trio
Heinz Holliger (*1939): Selection from «Romancendres» (2003) for violoncello and piano
Robert Schumann (1810-1856): Piano Quartet in Eb Major¡, Op. 47 (1842)
75 minutes, with break
CHF 35.-/25.-/15.- (free choice at the box office or in advance)
Free admission applies to persons with residence permit N, F or S. / CHF 5.- students of the Hochschule für Musik FHNW and the Musicology Seminar of the University of Basel / CHF 10.- members Colourkey and children under 12 years.

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